This is a bibliography of references to the exhibition Joan Jonas: Performances/Video/Installation, curated by David Ross, University Art Museum (now UC Berkeley Art Museum and Pacific Film Archive), Berkeley, May 16–June 29, 1980. If you have suggestions for additional sources to add to this page, please contact us.
Bibliography
Baconsky, Irina. “Enter the Surreal World of Avant-Garde Artist and Filmmaker Joan Jonas.” Dazed, March 16, 2018. (illus. only).
Barnard, Imelda. “It’s a Record of My Life, Translated into Art.” Apollo, March 17, 2018. (illus.only).
Crimp, Douglas. “Intoduction: De-synchronization in Joan Jonas’s Performances.” In Joan Jonas: Scripts and Descriptions 1968–1982, edited by Douglas Crimp, 8–10. Berkeley: University Art Museum, University of California; Eindhoven: Stedelijk van Abbemuseum, 1983.
Crimp, Douglas, ed. Joan Jonas: Scripts and Descriptions 1968–1982. Berkeley: University Art Museum, University of California; Eindhoven: Stedelijk van Abbemuseum, 1983.
Jahn, Andrea. “The Encounter with the Gaze Behind the Mask.” In Joan Jonas: Performance Video Installation 1968–2000, edited by Johann-Karl Schmidt, 58–67. Stuttgart: Galerie der Stadt Stuttgart; Ostfildern-Ruit: Hatje Cantz Verlag, 2001. (illus. only)
Jonas, Joan. “Closing Statement.” In Joan Jonas: Scripts and Descriptions 1968–1982, edited by Douglas Crimp, 137–39. Berkeley: University Art Museum, University of California; Eindhoven: Stedelijk van Abbemuseum, 1983.
Jonas, Joan. “Double Lunar Dogs.” Bomb 1, no. 1 (Spring 1981): 33.
Jonas, Joan. “Joan Jonas.” In Documenta 7, vol. 1, 162–63. Kassel : P. Dierichs, 1982. (illus. only)
Jonas, Joan. “Layers of Visual Language.” Interview by Saskia Bos. De Appel Bulletin, no. 1 (1985): 21–25. (illus.only)
Jonas, Joan. “Mirage [Script].” In Joan Jonas: Scripts and Descriptions 1968–1982, edited by Douglas Crimp, 70–78. Berkeley: University Art Museum, University of California; Eindhoven: Stedelijk van Abbemuseum, 1983.
Jonas, Joan. “Organic Honey’s Vertical Roll 1972 [Script].” In Joan Jonas: Scripts and Descriptions 1968–1982, edited by Douglas Crimp, 53–58. Berkeley: University Art Museum, University of California; Eindhoven: Stedelijk van Abbemuseum, 1983.
Jonas, Joan. “Organic Honey’s Visual Telepathy 1972 [Script].” In Joan Jonas: Scripts and Descriptions 1968–1982, edited by Douglas Crimp, 44–52. Berkeley: University Art Museum, University of California; Eindhoven: Stedelijk van Abbemuseum, 1983.
Junker, Howard. “Joan Jonas: The Mirror Staged.” Art in America 69, no. 2 (February 1981): 87–95.
Kalil, Susie. “Joan Jonas: Performance Recorded Through Installation Site.” Artweek, September 19, 1981, 15–16.
Lee, Pamela. “Double Takes.” Artforum 53, no. 10 (Summer 2015): 308–15.
Philbrick, Jane. “Paper Trail: Reviewing Lines in the Sand and Other Key Works of Joan Jonas.” PAJ: Performance Art Journal 78, no. 3 (September 2004): 17–29.
Ross, David. “Joan Jonas’s Videotapes.” In Joan Jonas Scripts and Descriptions: 1968–1982, edited by Douglas Crimp, 123–25. Berkeley: University Art Museum, University of California; Eindhoven: Stedelijk van Abbemuseum, 1983.
Simon, Joan. “Scenes and Variations: an Interview with Joan Jonas.” Art in America 83, no. 7 (July 1995): 72–79, 100–101.
Stofflet, Mary. “Joan Jonas and Cultural Biography.” Artweek 11, no. 6, June 7, 1980, 5.
Stofflet, Mary. “Joan Jonas’s Futurism.” Artweek 11, no. 7, July 5, 1980.
Stofflet, Mary. “Personal and Cultural Narratives.” Artweek 11, no. 1, January 26, 1980, 5.
Wortz, Melinda, “Wolf Calls and Frog Songs: Upside Down and Backwards“, Art News 79, no.7 (September 1980): 213–214.