Malmö Konsthall, Malmo (2015)

Installation Views
Mirage
Cones/May Windows (After Mirage)
Floor Plans

Installation Views

Joan Jonas: Light Time Tales, curated by Andrea Lissoni and Diana Baldon, Malmö Konsthall, Malmo, September 26, 2015–January 10, 2016.

A room filled with three TV monitors on stands and one monitor on the floor, a video projection against the back wall and a circle of large cones.

A figure stands in between two video projections on curved screens

A sculpture made out of crystals is placed in front of a projector in the middle of the floor, surrounding it are three screens with video projections.

A TV monitor is placed inside a stand in front of a bench, to the left is a video projection on a screen.

A TV monitor is placed inside a stand in front of a bench, to the left is a video projection on a screen that is also acting as a wall.

Mirage Installation Views

Joan Jonas, Mirage, 1976/1994/2005. Multimedia installation with six videos (Car Tape [1976], Volcano Film [1976], Good Night Good Morning [1976], May Windows [1976], Mirage [1976], and Mirage II [1976/2000]), props (seven metal cones, one found Mexican mask, three hoops, and two drawings on blackboard), stages, and photographs. The Museum of Modern Art, New York; Gift of Richard J, Massey, Clarissa Alcock Bronfman, Agnes Gund, and Committee on Media Funds, 2009. Installation views, Joan Jonas: Light Time Tales, curated by Andrea Lissoni and Diana Baldon, Malmö Konsthall, Malmo, September 26, 2015–January 10, 2016.

Various props used for Jonas’s performances, including: a small stage with a number grid written in chalk; a TV monitor on a stand; a cone, mask and hoop on top of a table; a group of large cones, and two chalk drawings. There are four video projections in the room.

Various props used for Jonas’s performances, including: a group of large cones; a drawing; a cone, mask and hoop on top of a table; a small stage; and three TV monitors on stands. There are also three video projections and framed photographs.

Various props used for Jonas’s performances, including: a TV monitor on a stand; a cone, hoop and mask on top of a table; two chalk drawings and a group of large cones. Behind the table are two video projections: one of Jonas drawing with chalk and the other showing a desert landscape.

Cones/May Windows (After Mirage) Installation View

Joan Jonas, Cones/May Windows (After Mirage) (formerly known as After Mirage), 1976/2011. Multimedia installation: nine-foot paper cones, video (May Windows [1976]) shown on monitor. Installation view, Joan Jonas: Light Time Tales, curated by Andrea Lissoni and Diana Baldon, Malmö Konsthall, Malmo, September 26, 2015–January 10, 2016.

A circle of large cones, to the left is a TV monitor on the floor and in the background is a video projection.

Floor Plans

Joan Jonas: Light Time Tales, curated by Andrea Lissoni and Diana Baldon, Malmö Konsthall, Malmo, September 26, 2015–January 10, 2016.

Floor Plan, Joan Jonas: Light Time Tales, Malmö Konsthall, Malmo, 2015. Courtesy of Malmö Konsthall, Malmo.